Thursday, April 17, 2014

The Mako Mori Test

A Bechdel Test alternative. [Link]
In the film, Mako struggles to asserts her independence despite the protectiveness of her stern father figure, Stacker Pentecost (Idris Elba). She is strong, smart, and perhaps most remarkably, her goal of fulfilling her dream of being a Jaeger pilot is a major part of Pacific Rim's storyline.
On Thursday, Tumblr user spider-xan wrote about what Mako means to her as an Asian woman, in the context of the film's failure to pass Bechdel:
It’s really easy to throw away a film because of that test (which is flawed and used incorrectly in a lot of ways) if you’re a white woman and can easily find other films with white women who look like you and represent you... But as an East Asian woman, someone like Mako — a well-written Japanese woman who is informed by her culture without being solely defined by it, without being a racial stereotype, and gets to carry the film and have character development — almost NEVER comes along in mainstream Western media. And honestly — someone like her will probably not appear again for a very long time.
In response to this post, and in the process of running down numerous arguments for why the Bechdel Test can't and shouldn't be the only measurement by which feminist films are judged, Tumblr user chaila has proposed the Mako Mori Test, "to live alongside the Bechdel Test":
The Mako Mori test is passed if the movie has: a) at least one female character; b) who gets her own narrative arc; c) that is not about supporting a man’s story. I think this is about as indicative of “feminism” (that is, minimally indicative, a pretty low bar) as the Bechdel test. It is a pretty basic test for the representation of women, as is the Bechdel test. It does not make a movie automatically feminist. 
The application of this test might enable interesting discussions of feminism surrounding films which typically seem to be steamrollered by their failure to pass Bechdel. For instance, while Avengers barely managed to have two women on screen at the same time, much less conversant with each other, it had a female character, Black Widow, whose narrative arc was a major driving force of the plot. Using the Mako Mori Test as a measurement of whetherAvengers is a feminist film or not points the focus away from the film's small quantity of women and towards the way Black Widow is demonstrably capable of commanding her own storyline.

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