Tuesday, August 28, 2007

Speed Racer film technology

The Speed Racer movie is going to have the full frame in focus like a cartoon.

Question: Susan, could you talk about working with the Wachowski Brothers and filming in Berlin and also the new camera that they’re using?

Susan: I love the Wachowski Brothers. Basically all I do is make pancakes in the movie and stand around and serving breakfast to everybody.

Tommy Lee Jones: What camera are they using?

Susan: They’re using some high def thing that comes with guards and it’s beyond anything I’ve ever…. I saw 10 minutes before I left, they did a special thing for me cause they’re just wrapping and having a party tonight, they were still working after I left. They’re doing something where they’re layering film so that the front and the back are in focus like a cartoon and they’re also doing two dimensional and three dimensional stuff and mixing and everything is very, very saturated with some new kind of film, so they actually have to treat the actors in some way so we can hold our own with the background. So it’s every color that wasn’t in The Matrix is seriously in this film.

Tommy Lee Jones: The camera comes with guards?

Susan: Yeah, yeah. When I talked with them on the phone – I’d never met them – when they asked me to do it, I had two conversations with them because it’s a very small part and it was a very long commitment because of the way they were shooting this. At a certain point I just said I don’t have the faintest idea of what you are talking about, I’m in. I just thought when am I ever going top get a chance to be up to my neck in something I understand so little about and they definitely fulfilled my expectation. But they have these two big, huge, widescreen things…at the end of the day you can see how everything is going to be before it’s treated and they have a room of 200 or 300 guys that are doing all the background, it’s insane. And we were shooting on 4 stages and it was really interesting and a lovely experience and all the actors were great and I was working with a monkey…I’m sorry a chimpanzee – he doesn’t like to be called a monkey. It was wild… and they’re very, very sweet. They have complete control which is every director’s dream.

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