Wednesday, February 20, 2013

How much fiction is ok in a fact-based film?

Lincoln, Argo and Zero Dark Thirty all have fictionalized things a bit more than some would like. [Link]
Filmmakers have been making movies based on real events forever, and similar charges have been made. But because these three major films are in contention, the issue has come to the forefront of this year's Oscar race, and with it a thorny cultural question: Does the audience deserve the truth, the whole truth and nothing but? Surely not, but just how much fiction is OK?
The latest episode involved "Lincoln," and the revelation that Spielberg and his screenwriter, the Pulitzer-winning playwright Tony Kushner, took liberties depicting the 1865 vote on the 13th amendment outlawing slavery. In response to a complaint by a Connecticut congressman, Kushner acknowledged he'd changed the details for dramatic effect, having two Connecticut congressmen vote against the amendment when, in fact, all four voted for it. (The names of those congressmen were changed, to avoid changing the vote of specific individuals.)
In a statement, Kushner said he had "adhered to time-honored and completely legitimate standards for the creation of historical drama, which is what 'Lincoln' is. I hope nobody is shocked to learn that I also made up dialogue and imagined encounters and invented characters."
In a historical piece, there is always the need to use fiction to fill in the gaps of what we don't know. In the case of Lincoln, facts that were known (how the Connecticut congressmen voted) were changed for no reason other than false drama. I think changing known facts is a bridge too far. History is exciting enough without having to make things up.

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