The Toxic Drama on YA Twitter
Make sure to only write about approved subjects. "Many members of YA Book Twitter have become culture cops, monitoring their peers across multiple platforms for violations. The result is a jumble of dogpiling and dragging, subtweeting and screenshotting, vote-brigading and flagging wars, with accusations of white supremacy on one side and charges of thought-policing moral authoritarianism on the other. Representatives of both factions say they’ve received threats or had to shut down their accounts owing to harassment, and all expressed fear of being targeted by influential community members — even when they were ostensibly on the same side. “If anyone found out I was talking to you,” Mimi told me, “I would be blackballed.” Dramatic as that sounds, it’s worth noting that my attempts to report this piece were met with intense pushback. Sinyard politely declined my request for an interview in what seemed like a routine exchange, but then announced on Twitter that our interaction had “scared” her, leading to backlash from community members who insisted that the as-yet-unwritten story would endanger her life. Rumors quickly spread that I had threatened or harassed Sinyard; several influential authors instructed their followers not to speak to me; and one librarian and member of the Newbery Award committee tweeted at Vulture nearly a dozen times accusing them of enabling “a washed-up YA author” engaged in “a personalized crusade” against the entire publishing community (disclosure: while freelance culture writing makes up the bulk of my work, I published a pair of young adult novels in 2012 and 2014.) With one exception, all my sources insisted on anonymity, citing fear of professional damage and abuse. None of this comes as a surprise to the folks concerned by the current state of the discourse, who describe being harassed for dissenting from or even questioning the community’s dynamics. One prominent children’s-book agent told me, “None of us are willing to comment publicly for fear of being targeted and labeled racist or bigoted. But if children’s-book publishing is no longer allowed to feature an unlikable character, who grows as a person over the course of the story, then we’re going to have a pretty boring business.”"